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Chapter 11: Further reading

  • Barker, C., Global Television: An Introduction (Oxford: Blackwell, 1997).
  • Baudrillard, J., ‘The reality gulf’, The Guardian, 11 January 1991, reprinted in P. Brooker and W. Brooker (eds), Postmodern After-images: A Reader in Film, Television and Video (London: Arnold, 1997), pp. 165–7.
  • —— In the Shadow of the Silent Majorities, trans. P. Foss, J. Johnson and P. Patton (New York: Semiotext(e), 1983a).
  • —— Simulations (New York: Semiotext(e), 1983b).
  • Bertens, H., The Idea of the Postmodern: A History (London: Routledge, 1995).
  • Bignell, J., Postmodern Media Culture (Edinburgh: Edinburgh University Press, 2000a).
  • —— Big Brother: Reality TV in the Twenty-first Century (Basingstoke: Macmillan, 2005).
  • Brooker, P. and W. Brooker (eds), Postmodern After-images: A Reader in Film, Television and Video (London: Arnold, 1997).
  • Eco, U., ‘A guide to the neo-television of the 1980s’, Framework, 25 (1984), pp. 18–25.
  • Goodwin, A., ‘MTV’, in J. Corner and S. Harvey (eds), Television Times: A Reader (London: Arnold, 1996), pp. 75–87.
  • —— Dancing in the Distraction Factory: Music, Television and Popular Culture (London: Routledge, 1993).
  • Grossberg, L., C. Nelson and P. Treichler, with L. Baughman and J. Macgregor Wise (eds), Cultural Studies (New York: Routledge, 1992).
  • Habermas, J., The Theory of Communicative Action, vol. 2: Lifeworld and System: A Critique of Functionalist Reason (Cambridge: Polity, 1987).
  • Herman, E. and R. McChesney, The Global Media: The New Missionaries of Global Capitalism (London: Cassell, 1997).
  • Holmes, S. and S. Redmond, Framing Celebrity: New Directions in Celebrity Culture (London: Routledge, 2006).
  • Huyssen, A., After the Great Divide: Modernism, Mass Culture and Postmodernism (London: Macmillan, 1986).
  • Jameson, F., Postmodernism, or The Cultural Logic of Late Capitalism (London: Verso, 1991).
  • —— ‘Reading without interpretation: postmodernism and the videotext’, in D. Attridge and N. Fabb (eds), The Linguistics of Writing: Arguments between Language and Literature (Manchester: Manchester University Press, 1987), pp. 199–233.
  • Juluri, V., ‘Music television and the invention of youth culture in India’, Television and New Media, 3:4 (2002), pp. 367–86.
  • Kaplan, E. A., Rocking Around the Clock: Music Television, Postmodernism and Consumer Culture (London: Methuen, 1987).
  • Kellner, D., Media Culture: Cultural Studies, Identity and Politics Between the Modern and the Postmodern (London: Routledge, 1995).
  • Lewis, L., Gender Politics and MTV: Voicing the Difference (Philadelphia, Pa.: Temple University Press, 1990).
  • Lyotard, J.-F., ‘Answering the question: what is postmodernism?’, in T. Docherty (ed.), Postmodernism: A Reader (Hemel Hempstead: Harvester Wheatsheaf, 1993), pp. 38–46.
  • —— The Postmodern Condition, trans. G. Bennington and B. Massumi (Manchester: Manchester University Press, 1984).
  • McLuhan, M., Understanding Media: The Extensions of Man (London: Ark, 1987).
  • Morris, M., ‘Feminism, reading, postmodernism’, in T. Docherty (ed.), Postmodernism: A Reader (Hemel Hempstead: Harvester Wheatsheaf, 1993), pp. 368–89.
  • Mundy, J., Popular Music on Screen: From Hollywood Musical to Music Video (Manchester: Manchester University Press, 1999).
  • Wicke, J. and M. Ferguson, ‘Introduction: feminism and postmodernism; or, The way we live now’, in M. Ferguson and J. Wicke (eds),
  • Feminism and Postmodernism (London: Duke University Press, 1994), pp. 1–9.
  • Woods, T., Beginning Postmodernism (Manchester: Manchester University Press, 1999).